Glass Fusing

Last weekend I attended a morning workshop which taught the skills of glass fusing.  The process of fusing glass in a kiln takes too long for us to have been able to see it happen, but our tutor talked us through the process of both fusing glass fully, and tack fusing. She took us through all the health and safety precautions we needed to know about, the properties of and the different types of glass.  She showed us some examples of jewellery pieces she had made, and then she let us loose to make our own pieces.

Yesterday I received an e-mail letting me know that my work was ready for collection, so I just HAD to go and get it straight away - I couldn't bear to wait for someone to collect it for me once I knew it was ready!

Some of my pieces turned out just as I'd imagined them, while others produced rather more unexpected results.  I'd put together seven pieces and chose to have some fully fused and some tack fused.  I some cases making a couple similar items and having one fused one way and one the other...

This was my first piece - I spent ages cutting small pieces of glass to fit!  Despite the tutor explaining how glass reacts in the kiln, I didn't really expect it to change shape so drastically!  I think it now resembles a kind of glass boomerang!  I'm thinking that I might have a go at wire wrapping this piece so I can hang it in my window as the colours are pretty even if the shape is a little strange!

My second piece was tack fused and has maintained it's original shape with less rounding of the edges. The finish is not as smooth but I love the shape and texture.

Again with these pieces, one was tacked and the other was fully fused, this time using opalescent glass instead of translucent - and again, I prefer the piece that retains some of the shape of the original glass.

However with my last piece, it had to be fully fused and I love it.  It's a combination of opalescent and fracture and streamer glass with small pieces of copper foil sandwiched between...

The photos above show the before and after fusing, the light here today has been very changeable and I don't think any of the photos do justice to what the glass looks like in reality.  The copper turned a deep red just as the tutor said it would.  I had a feeling this was going to be my favourite piece when I was making it and it really is... I'm now waiting impatiently for some suitable glue to arrive so I can attach a bail and start wearing it!

The last piece I made was similar to this but I sandwiched some knitted wire in the middle and tried cut a small piece of copper in the shape of a bird - not easy to do with a very big pair of scissors!  Sadly something went wrong in the kiln and the top piece of glass moved before it fused which is a shame...

I think I've learned just as much, if not more, from what didn't work as I have from what did.  I'm now looking around for other courses so I can learn more.  I've always loved working with glass and was upset when I had to stop working with stained glass when my hands started playing up.  But working at this scale is so much easier - I find smaller bears put less strain on my hands too.  So maybe one day I'll be working with glass again - that definitely makes my happy list!  :)

A 7th Week of Happiness...

It's obviously going to take me longer than a year to get through this as some weeks I don't feel well enough to blog, but I don't think that really matters - its about changing the way you think, its about looking for things that make you smile, even if they are small things and sometimes even in the face of adversity!  I think those are the times when it's even more important to find something positive to be thankful for.

This week, it's been pretty easy to find things to be happy about - it was my birthday a few days ago and I've been overwhelmed by the kindness of others, especially as I haven't been very good at keeping track of other peoples birthdays over the past few years, which is something I really need to work on.  The two shelves above my television are crowded with beautiful birthday cards which make me smile every time I look at them, they are a reminder that I am fortunate to have some wonderful friends and family.  :)

On my birthday I had lunch with two friends I've known since I was 8 years old, we went to a lovely little cafe in an ex-coastguard station perched on top of the cliffs in the village where we grew up.  It was pretty cold and blustery so I took a photo of our view across the English Channel through the window from the comfort of our table in the tearoom...

I've noticed that every few years, I go down to the Bay on my birthday, so here is a photo from this year's visit...

It's the first time I've been out with my "big camera" for ages and it actually felt pretty good to be taking proper photos again  :)

I've completed my bear for January thanks to a small piece of pale green sheer fabric from one of my friends which I used for one side of the wings.  The bear is going in an exhibition at my local library next week which is being put on by the craft club I attend there once a fortnight.  Being a library based group we took some of our inspiration from books and this little bear is my take on Tinkerbell from Peter Pan...

Yesterday, I went to a morning workshop on making fused glass jewellery.  It's a shame that I can't find any cool courses like this locally but this one took place in the town where my sister lives so it was a great opportunity to spend some time with family.  It was a long and tiring day but absolutely wonderful and I don't even care that I can barely move today!

Years ago, I used to enjoy making things from stained glass until my hands started playing up to much, but was pleased to discover yesterday that I remembered how to cut glass successfully and as I've found with my bear-making, cutting small pieces is a lot easier.  It'll probably be a few weeks before I get my finished pieces back as firing glass takes too long to have got our pieces back the same day so I'm waiting very impatiently and with great excitement to see what the finished result will look like.

The photo above shows one of the pieces I'm most excited about.  The tutor told us that pieces of copper turn a beautiful deep burnished red when sandwiched between two pieces of glass.  I wanted to try this and chose a piece of white glass for the background, with a piece of "fracture and streamer" glass on top.  I thought the top piece I cut reminded me of reeds or tall grasses so I cut some tiny leaf shapes from the copper.  I'll post more pictures once I get my finished pieces back.

Printing Workshop 1 - Image Transfer

A few weeks ago, I attended a one day workshop at Broadstairs Adult Education Centre - "Screen Printing and Image Transfer".

I'd started glancing through the available courses because partly I was feeling a little lost after realising I needed to take another year out before going back to University, but I've also been suffering from a major case of creative block lately, so I was looking for some inspiration too.  One of the modules I've already studied as part of my photography degree was called "Photography in Context" it was a brilliant module which really encouraged the students to think outside the box and made me realise you could do an awful lot of different and creative things with photography - and we didn't even do anything like this either!

We started off working on the image transfer part of the workshop as this would take longer to dry, it's also the part of the workshop I took the most photos of...

1.  We first stapled the calico fabric to a drawing board, then cut out the photocopy the tutor gave us, right up to the edge of the picture  (everyone had the same image)

2.  Drawing corner guide marks on the fabric with the image face down as it will be stuck to the fabric that way.

3.  Painting an undercoat of watered down white matt emulsion onto the fabric - I chose to make mine a little rough and ready so the fabric would show through here and there.

4.  Speeding up the drying process a little!

5.  Tracing out some of the features of the photocopy - not forgetting to add corner guide marks so everything will line up later on.

6.  Positioned using the guide marks, then transferring the traced lines onto the fabric.

7.  Hopefully you can see the traced lines in this photo  (sorry about the picture quality but these were taken using a mobile phone).

8.  Underpainting the image in colours that should give the finished artwork a Warhol-esque style.

9.  Placing the photocopy onto foil to stop it sticking to the wrong things while painting on the image transfer medium.

10.  I didn't take a photo of the process of painting on the medium and placing the photocopy face down on the fabric, using the corner marks as a guide because I needed both hands for the job.  But here you can see the tutor's hand showing me how to cover the image and gently remove any air bubbles that may have formed as the whole image needs to be in contact with the fabric or the transfer won't work properly.

11.  And now we have to wait patiently until everything is completely dry... Oh look!  It was nearly time for lunch  :)

12.  I chose to remove my piece from the board to speed up the drying process but if have the time to wait, its actually a lot easier to leave it in place for the next stage.

13.  You need to gently wet the paper and VERY gently, using the heel of you hand in light circular movements, rub the surface paper away.  This does take some time, but its better to take it slow and steady as you don't want to do any damage to the picture underneath, which is quite fragile.  I have to say I did cause a little bit of damage to mine as I was impatient (you can see the missing bottom right-hand corner) - but it was very exciting to see the image emerge!  I didn't actually finish this stage at the workshop; after it had dried, you could see more paper fibres so I had a second go at it at home.

14.  After you have removed as much of the paper fibres as you can, you need to seal the finished piece with some matt acrylic varnish - I didn't have any, so I used some PVA glue mixed with water at about a 1:1 ratio and it worked very well.  I also used the PVA mixture to stick my fabric to a piece of mount board which gave more stability to the areas where I'd rubbed too hard, it also means my piece is now ready for a frame, which I hope to get very soon.

So there you have it!  One image transfer with under-painted colour.  I really enjoyed making this and it's given me lots of ideas for doing things with my own photos.  So as soon as I can put together all the equipment I need - watch this space!

It took me the best part of a fortnight to recover from taking part in this workshop, but I got so much out of it, that it was worth it.  I'll post some details about the screen printing part of the workshop another day.

A First Attempt at Making Jewellery

Earlier this week, I went on a workshop with a couple of friends to have a go at making a bracelet.  It was a very enjoyable morning and while one of my friends and I took longer than everyone else to complete the task, I - for one - am very happy with what I achieved.  It was quite a challenge to make this, as one of my hands doesn't work particularly well, but then I find making miniature bears a challenge for the same reason... but strangely enough, small bears are easier because there's less fabric to manipulate - I tried making bigger bears years ago and found them almost impossible.

Its taken me several days to get around to blogging about it because its taken several days for my poor hands to recover, but I think the pain was worth it.  I would never have dreamed of buying such a bracelet for myself but I love it.  It makes lovely jingly sounds as you move and I love the colours.

When we began, we had to choose a bag of assorted beads.  The bags contained the larger Indian Glass Beads in co-ordinating colours, then we could pick out seed beads etc. to match.  I have to admit I did "borrow" one or two darker beads from my friend Mary as she was making a bracelet in slightly darker tones than me, but I did wait until after she'd finished.  We had to start each head pin with a seed bead as it would stop the bigger beads from falling off, but I decided I liked the look I got when I finished with a seed bead too - it wasn't until I came to trim and attach my pins to the chain links that I realised 

the seed beads at the top were all going to try and make a bid for freedom - sigh!

Being a person with a somewhat obsessive/perfectionist nature, I had to count the links (64) of my bracelet before I started attaching the carefully organised pins to every third link.  I had tried to make some of my pins in pairs so I tried to position those in such a way to give some balance, but none of the pins are exactly alike because there was such a variety of different beads in my selection.

My favourite pin was the very first one I made - the little fucshia-like "flower" (directly above the copyright symbol), sadly this was the only bead like this that could be found despite searching through some of the other spare bead bags.  Never mind, I still love my bracelet - just the way it is  :)

I hope they do more workshops soon, as I love learning new skills - even ones I suffer for!

PS.  If you'd like to see the bracelet my friend Clare made, you can find it here...